![]() Sanders in particular would become a key part of Alice’s ensemble for her following album Journey in Satchidananda, Sanders gets the star role as a featured soloist, his name on the cover playing soprano saxophone and percussion throughout. Sanders was also in the midst of recording some of his most ground-breaking work - 1969’s Karma, 1971’s Thembi and Black Unity - arguably two of his most historically well-known albums. Ali is instead swapped out for Ben Riley, whom Alice had recorded with on her first solo record A Monastic Trio, though only appearing on one track.Īnother mainstay of Alice’s circle of collaborators, saxophonist Pharaoh Sanders returns playing alongside Joe Henderson for a novel dual tenor-sax arrangement. This release was Alice’s second record with Ron Carter, a relative newcomer who also performed on Huntington Ashram Monastery, a trio album that also featured free-jazz drummer Rashied Ali (who would appear on some of John Coltrane’s incredibly experimental final recordings). Made during her early period of fascination with Indian and African spirituality, the record is named after the Egyptian god of craftsmen, ‘the El Daoud’ meaning ‘the beloved’. It is also here that Ptah the El Daoud, Alice’s third album as leader, was recorded. It wasn’t until John’s passing that Alice would release her first album as bandleader - 1968’s A Monastic Trio - building on the spiritual sounds she explored whilst working with her late husband.Īround this time, Alice would also begin following the teachings of guru Swami Satchidanada, moving to California in the early 70s and establishing the Vedantic Center - a centre for Hindu philosophy - where she would perform devotional ceremonies. ![]() She met John Coltrane whilst playing for Terry Gibbs’ quartet in the early 60s the couple would collaborate on various projects, including John’s more spiritual works like the seminal A Love Supreme, and Alice would even replace McCoy Tyner as John’s go-to pianist, recording with her husband in the studio until his death in 1967. Early in life, Alice studied classical music at the encouragement of her father studies she continued under the tutelage of Bud Powell in Paris while she held an intermittent gig as an accompanying pianist at the Blue Note Jazz Club. Though for much of her work she actually played the piano, she is perhaps more often thought of as one of jazz harp’s few champions, often pictured with the harp on album covers and frequently associated with it in posthumous writing. Alice Coltrane (born McLeod), however, has a wealth of work in her catalogue as both a bandleader in spiritual jazz and sidewoman to many, including her husband. ![]() To many listeners, the ‘Coltrane’ family name is almost always synonymous with John Coltrane, the trailblazing tenor saxophonist. ![]()
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